Vending Fridge Bear (2024)

Felt, battery, aluminium foil

25.0 cm x 14.0 cm x 49.0cm 

Vending Fridge Bear (2024) is what you see as it is; a chocolate bear with the body of a fridge with vending machine as the door. It’s my dream to own such invention; 2 machines at the price of 1. At the door, you can purchase any type of ice cream. Craving for a banana split? Press the blue gummy bear button. Want a tub of ice cream? Simply press the green button. Not enough? Open the door to choose a range of ice cream of a larger scale. 

Standing close to half a meter, this sculpture symbolizes irony and contradictions. The fridge is meant to preserve food by keeping its internal temperature cool, as a result of exothermic reactions in its system, its external feels warm. Wouldn’t the chocolate bear melt eventually? In life, we want as many good outcomes as possible, yet there’s no such thing as guaranteed happiness. There will definitely be something to sacrifice.

Moreover, why spend a couple of cents and dollars at the vending machine when you could have opened the door to get your ice cream? Our human brain is complex; apart from its different parts that serve different purposes, our thoughts does not always translate to actions. Sometimes when we said we wanted something in our mind, we would verbally say something else. Often, when we don’t address what our subconscious’ desire, we would have contradictory actions.

Nevertheless, this art piece celebrates the complexity of our human experience as humans have achieved wonders as a result of our persistence, creativity and future-forwardness. 

Fairies’ Wheel (2024)

Felt, wood, metal

32.0 cm x 22.0 cm x 36.0 cm

Fairies’ Wheel (2024) is a felt Ferris wheel made from 2 donuts, an eclair sandwich, balanced on an inverted ice cream cone. The ice cream scoop is a melting Daruma, a wooden doll used for goal-settings. Within each chocolate ducky cabin is a whole new ride itself; roller coaster made from mini cakes, ice cream airplane rides, and even spinning hot chocolate teacups. 

When a person commits to their goal of the year, they would fill one eye with a pupil, akin to signing a contract with oneself. Once they achieved their target, they can fill the other eye to symbolize victory. The Daruma, portrayed as a melting ice cream, signifies the limited time we have to achieve our dreams. If one doesn’t set a deadline, the dream will melt from our fingertips.

Our aspirations doesn’t have to be singular; we can explore as many areas of interests as we like as long as we live. Mirroring different thrill rides in the cabins within one ride (Ferris wheel), we can expect change of direction in our pursuits. Sometimes we take detours that are longer than we planned for, and we might regret our decisions. However, the skills and experiences we acquired from those detour will circle back and be useful in the future. This work encourages the viewers to dream big, look forward, and be excited what our past experience would lead us to our future adventures. 

Neapolitan Ice Cream Cake (2024)

Felt, polyvinyl, paper clay

28.0 cm x 28.0 cm x 43.0 cm

Neapolitan Ice Cream Cake (2024) is a fabric sculpture portraying a tall dessert with 3 main colours, in fact, flavors: chocolate, vanilla or lemon and strawberry. This tri-coloured cake has a tri-coloured bear standing on its top, holding a  merry-go-round mini cake with tiny animals on the ride. 

Sometimes called Harlequin ice cream, this dessert was originally made of green pistachio, white vanilla and red cherry ice cream to resemble the Italian flag. These flavors later shifted to chocolate, vanilla and strawberry in United States because those were the 3 most popular flavors. Akin to the impact of cultural influences in the local context, most of the habits and discourse are brought over from countries around the world. These are then localised to fit our own cultural contexts. This shows that external influences may affect our identity, but never rob us from our original selves. 

The advantage of having 3 choices as compared to 1 is the higher probability of sharing with a wider range of people. Think about your childhood; don’t you find sharing a multi-flavored ice cream easier than a mono-flavored one? For example, if you came from a humble background like me, it’s more straightforward to divide an ice cream equally among my brothers and myself since there are clear divisions of each flavor, whereas there’s no boundaries of the portion to share a regular ice cream. 

The merry-go-round mini cake is decorated with milk chocolate hearts inscribed: kiss me, love me, hug me, and kiss you, love you, hug you. However, there’s no exact explanation on how to love as there’s no one way to express. They are equally spaced to show fairness; it’s important to love others, but it’s also vital to love yourself. Overall, this art piece emphasizes on universal love, acceptance and empathy. 

ice cream girl series ii-vi (2024)

Felt, acrylic paint, stainless steel, glass, plastic

23.0 cm x 4.0 cm x 23 cm (without chain)

The Ice Cream Girl series consists of 7 paintings of girls with hair made from ice cream. These acrylic paintings on felt give a tactile visual experience, especially the thick paint mimicking ice cream. The focus theme embraces individuality of each girl and signifies the temporality of youth, just like how ice cream would eventually melt away with time.

The borders are decorated with pompoms, decoden and handmade embroidered embellishments. These embroidery were made at the start of my artistic journey when I first started experimenting with felt fabric. Back then, I was just sewing facial features on flat cat head shaped felt pieces. Personally, they were considered my ‘failures’ and “too ugly” to be seen by the world. However, over time, I realised those were considered ‘successes’ in the past,  but after leveling up, they are now graded as ‘failures’. It dawned on me that we need both failures and successes to continue growing. 

The juxtaposition between the handmade embroidered felt pieces and readymade decoden represents the openness to receive help. Just like most artists, I have very specific visualisation of my artworks and prefer to be 100% involved in the art-making process. However, we have to make sacrifices in our health and time if we do not dedicate tasks. Sometimes, getting external inputs can create unexpectedly pleasant results. At the same time, including those factory-made decorative pieces further amplifies the uniqueness of my handcrafted embroidery.